Profil użytkownika ignatiy-vishnevetsky

ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

Baggage Claim (2013)

i 2 inne zdjęcia
Without a coherent lead performance, all Baggage Claim has left are its generic rom-com plot — which has flight-attendant Patton jetting around the country to meet the perfect man in time... Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

We Are What We Are (2013)

It plays less like a contemporary horror film than an increasingly gruesome drama, building to a climax — completely original to this version — where the movie’s core themes are expressed... Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

Prisoners (2013)

It makes for a compelling viewing experience, thanks to Villeneuve’s formal chops and the uniformly strong performances. Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

Newlyweeds (2013)

At times, it’s surprisingly compelling, thanks to King’s surefooted direction of actors and well-honed formal sense; while the movie’s execution never quite makes up for its conception, i... Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

A Teacher (2013)

i 2 inne zdjęcia
By continually deferring dramatic tension, the filmmaker puts more weight on the movie’s closing scenes — which are abrupt but true to life — than they can handle. Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

La Maison de la Radio (2013)

Aside from the Tour De France segments (the only scenes in the movie to be shot entirely handheld), La Maison lacks the warmth that’s characterized Philibert’s best work. Eventually, the ... Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

Getaway (2013)

i 1 inne zdjęcie
For the most part, Getaway lacks tension and violence. Strobe cuts rob the stunts of any sense of motion; twisting metal, seen in half-second snippets, becomes abstracted texture. While i... Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

The Lifeguard (2013)

Like its lead character, The Lifeguard is stuck in a rut. After establishing Bell’s frustration within the first five minutes, the movie continually reiterates it. Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

Cutie and the Boxer (2013)

Unfortunately, Cutie And The Boxer feels the need to contextualize — and possibly valorize — the Shinoharas as artists, which detracts from its portrayal of them as a couple. Przeczytaj recenzję
ignatiy-vishnevetsky opublikował(a) recenzję filmu: ignatiy-vishnevetsky

Blood (2013)

i 1 inne zdjęcie
This move is both redundant and counterproductive because it weakens one of the screenplay’s central conceits — the way Bettany’s guilt is shared and experienced by other characters. Przeczytaj recenzję